New Books, New Feminist Directions

Associate Professor, Arts Management Program

Friday, September 23, 2022
3:30 - 5:00 pm (EDT)
Hybrid - 509 O'Brian Hall / Zoom

Register Here: https://bit.ly/Katja-Praznik

This Book Launch is part of Gender Institute's Social Reproduction Theory Lecture Series which is sponsored by  The Baldy Center for Law and Social Policy, and co-sponsored by the Arts Management Program.

In Art Work Katja Praznik counters the Western understanding of art – as a passion for self-expression and an activity done out of love, without any concern for its financial aspects – and instead builds a case for understanding art as a form of invisible labour. Focusing on the experiences of art workers and the history of labour regulation in the arts in socialist Yugoslavia, Praznik helps elucidate the contradiction at the heart of artistic production and the origins of the mystification of art as labour.

This profoundly interdisciplinary book highlights the Yugoslav socialist model of culture as the blueprint for uncovering the interconnected aesthetic and economic mechanisms at work in the exploitation of artistic labour. It also shows the historical trajectory of how policies toward art and artistic labour changed by the end of the 1980s. Calling for a fundamental rethinking of the assumptions behind Western art and exploitative labour practices across the world, Art Work will be of interest to scholars in East European studies, art theory, and cultural policy, as well as to practicing artists.

Get 25% discount on Katja's book using  the code: ArtWork25  and ordering through  University of Toronto Press.

This Book launch will also feature Silvia Federici, Feminist Activist, Writer Scholar, and Teacher - who will be discussing her latest book Patriarchy of the Wage: Notes on Marx, Gender, and Feminism. 
This will be a double book launch will be an intergenerational conversation on the past, present, and future of Social Reproductive Theory. Federici and Praznik will engage in a transgenerational feminist discussion to point out the relevance of social reproduction and the ways feminist interventions in this terrain provide alternatives to capitalist relations.

Get 25% discount with using the code: Silvia for any of Federici's title books at https://pmpress.org/.

Associate Professor of English 

Thursday, November 17, 2022
3:30 PM via Zoom

Register Here: https://bit.ly/MiriamThaggert

Riding Jane Crow foregrounds Black women’s experiences as passengers and workers on or near the American train. Focusing on the period from 1860 to 1925, the book reads the train compartment as a contested travel space or problematic work site. To “ride Jane Crow” is to challenge the mythological aura of the railroad in American culture. Reading legal, labor, and travel history; census records and town directories; blueprints, newspapers and town councils records; diaries, short stories, letters, film, and photographs, the book examines the large cultural archive of the railroad in the U.S. and that archive’s notable absence of women of color, studying how the space of the archive replicates some forms of the American train car; both are repositories that inadequately hold the African American woman.

This discussion will feature Madhu Dubey, Professor, Director of Graduate Studies, Black Studies at University of Illinois Chicago, as a commentator.

Get  30% discount on Miriam Thaggert's book using the code: S22UIP and ordering through press.uillinois.edu

Assistant Professor of Global Gender and Sexuality Studies

Friday, April 8, 2022
2 p.m.
On Zoom.

Watch the event recording here: https://youtu.be/VjsLO4md_m4

"I am Jugoslovenka" argues that queer-feminist artistic and political resistance were paradoxically enabled by socialist Yugoslavia's unique history of patriarchy and women's emancipation. Spanning performance and conceptual art, video works, film and pop music, lesbian activism and press photos of female snipers in the Yugoslav wars, the book analyses feminist resistance in a range of performative actions that manifest the radical embodiment of Yugoslavia's anti-fascist, transnational and feminist legacies. It covers celebrated and lesser-known artists from the 1970s to today, including Marina Abramovic, Sanja Ivekovic, Vlasta Delimar, Tanja Ostojic, Selma Selman and Helena Janecic, along with music legends Lepa Brena and Esma Redzepova. "I am Jugoslovenka" tells a unique story of women's resistance through the intersection of feminism, socialism and nationalism in East European visual culture.

The discussion will feature Lindsay Brandon Hunter (UB Department of Theatre and Dance) as the host and Amelia Jones (University of Southern California) as a commentator.

Get 40% discount on Jasmina Tumbas's book "I am Jugoslovenka!" Feminist performance politics during and after Yugoslav Socialism by using the promo code - JUGOSLOVENKA40 and ordering through Manchester University Press website.

Professor of History

March 8, 2022
Time: Noon
On Zoom

This New Books, New Feminist Directions event will feature Victoria W. Wolcott, Professor of History at UB, whose book Living in the Future: Utopianism and the Long Civil Rights Movement  (University of Chicago Press, 2022) reveals the unexplored impact of utopian thought on the major figures of the Civil Rights Movement.
Professor Tracy E. K'Meyer from the Department of History at the University of Louisville will offer commentary.

Get 25% discount on the Victoria W. Wolcott's book Living in the Future  and also on Tracy E. K'Meyer's book To Live Peaceably Together: The American Friends Service Committee's Campaign for Open Housing, by using the promo code - UCP22 and ordering through University of Chicago Press website.

From University of Chicago Press: 

Living in the Future reveals the unexplored impact of utopian thought on the major figures of the Civil Rights Movement.
Utopian thinking is often dismissed as unrealistic, overly idealized, and flat-out impractical—in short, wholly divorced from the urgent conditions of daily life. This is perhaps especially true when the utopian ideal in question is reforming and repairing the United States’ bitter history of racial injustice. But as Victoria W. Wolcott provocatively argues, utopianism is actually the foundation of a rich and visionary worldview, one that specifically inspired the major figures of the Civil Rights Movement in ways that haven’t yet been fully understood or appreciated.
Wolcott makes clear that the idealism and pragmatism of the Civil Rights Movement were grounded in nothing less than an intensely utopian yearning. Key figures of the time, from Martin Luther King Jr. and Pauli Murray to Father Divine and Howard Thurman, all shared a belief in a radical pacificism that was both specifically utopian and deeply engaged in changing the current conditions of the existing world. Living in the Future recasts the various strains of mid-twentieth-century civil rights activism in a utopian light, revealing the power of dreaming in a profound and concrete fashion, one that can be emulated in other times that are desperate for change, like today.

Associate Professor of Music

From the Illinois Press:

From the 1930s to the 1960s, the booming popularity of country music threw a spotlight on a new generation of innovative women artists. These individuals blazed trails as singers, musicians, and performers even as the industry hemmed in their potential popularity with labels like woman hillbilly, singing cowgirl, and honky-tonk angel.

Stephanie Vander Wel looks at the careers of artists like Patsy Montana, Rose Maddox, and Kitty Wells against the backdrop of country music's golden age. Analyzing recordings and appearances on radio, film, and television, she connects performances to real and imagined places and examines how the music sparked new ways for women listeners to imagine the open range, the honky-tonk, and the home. The music also captured the tensions felt by women facing geographic disruption and economic uncertainty. While classic songs and heartfelt performances might ease anxieties, the subject matter underlined women's ambivalent relationships to industrialism, middle-class security, and established notions of femininity.

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