Bracha L. Ettinger in her studio, Tel Aviv, 2017. Photo Ania Krupiakov.

Bracha Ettinger, painter, philosopher, psychoanalyst and writer, is a prominent figure among both the French painters' and the Israeli art's scenes. In addition to the public exhibition of her work, Ettinger will engage with groups of students from across the University at Buffalo throughout her residency. She will interact with graduate students in the Department of Art in two ways:

April 9-13:

  1. Presenting and discussing her own work with a graduate painting class
  2. Providing one-on-one attention to MFA students through individual studio visits

April 24: In addition, for interested undergraduates, Ettinger will present her work and answer questions during a gallery talk at UB Anderson Gallery after the opening of the exhibition of her work.

Ettinger's art was recently analyzed at length in the book Women Artists at the Millennium, in Griselda Pollock's Encounters in the Virtual Feminist Museum and in Catherine de Zegher's anthology Women's Work is Never Done. Her ideas in cultural theory, psychoanalysis, and French feminism achieved recognition after the publication of Matrix and Metramorphosis (1992), fragments from her notebooks (Moma, Oxford, 1993) and The Matrixial Gaze (1995). Over the last two decades her work has been influential in art history, film studies (including feminist film theory), psychoanalysis, aesthetics, and gender studies.