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Fall classes will be held remotely after November 25th, with some professional programs maintaining in person instruction. Students should check with their instructors regarding any in-person requirements from November 25th through the end of the fall semester.
University at Buffalo

UB Undergraduate Academic Schedule: Fall 2020


This information is updated nightly. Additional information about this course, including real-time course data, prerequisite and corequisite information, is available to current students via the HUB Student Center, which is accessible via MyUB.


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MUS 204LEC - Music And Money
Lecture
Music And Money ST2 Enrollment Information (not real time - data refreshed nightly)
Class #:   25102   Enrollment Capacity:   28
Section:   ST2   Enrollment Total:   28
Credits:   3.00 credits   Seats Available:   0
Dates:   08/31/2020 - 12/11/2020   Status:   CLOSED

This class has multiple meeting patterns:

T,  9:35 AM - 10:50 AM,  Remote,  North Campus
R,  9:35 AM - 10:50 AM,  Baird 250,  North Campus
R,  9:35 AM - 10:50 AM,  Baird 250,  North Campus
T R,  9:35 AM - 10:50 AM,  Remote,  North Campus
R,  9:35 AM - 10:50 AM,  Baird 250,  North Campus
T R,  9:35 AM - 10:50 AM,  Remote,  North Campus
T R,  9:35 AM - 10:50 AM,  Remote,  North Campus
R,  9:35 AM - 10:50 AM,  Baird 250,  North Campus
T R,  9:35 AM - 10:50 AM,  Remote,  North Campus
R,  9:35 AM - 10:50 AM,  Baird 250,  North Campus
T R,  9:35 AM - 10:50 AM,  Remote,  North Campus
T R,  9:35 AM - 10:50 AM,  Remote,  North Campus
R,  9:35 AM - 10:50 AM,  Baird 250,  North Campus
  Course Description
Is great music the product of inner genius, or divine inspiration? Whatever the answer may be, many of our most celebrated composers and songwriters also use their talents to earn a living. To discover how the basic principles of capitalism can influence both the creation and reception of music across a variety of genres, Music and Money takes an objective look at the historical circumstances that have shaped the development of the modern musical marketplace. Through a series of case studies, students will first evaluate the kinds of economic decisions faced not only by composers but also by performers, publishers, and audiences. Students will then explore the professional and artistic consequences of such decisions for musicians and for the music that they produce.
  Instructor(s)
             Strykowski, D R look up    
  On-line Resources
Other Courses Taught By: Strykowski, D R