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"Coleridge (A Moral Idiocy, an Imbecility of the Will, a Haunting, an Emptiness, a Posthumous State, a Writing Block)." Vanessa Coode, ed., London Review of Books: A 25th Anniversary Anthology. Profile Books, 2004, 115-24. (Reprinted from London Review of Books, 19, No. 12 [19 June 1997], 9-11.)
"Nothing’s Namelessness: Mary Shelley’s Frankenstein," in Robert J. Griffin, ed., The Faces of Anonymity: Anonymous and Pseudonymous Publication from the Sixteenth to the Twentieth Century, Palgrave, 2003, 167-92.
“Voice and Ventriloquy in The Rime of the Ancient Mariner.” The Rime of the Ancient Mariner (Case Studies in Contemporary Criticism), ed. Paul H. Fry (Boston and New York: Bedford/St. Martin’s, 1999 (reprint of chapter from Strange Power of Speech).
Strange Power of Speech: Wordsworth, Coleridge, and Literary Possession, Oxford University Press, 1992.
"Mortal Pages: Wordsworth and the Reform of Copyright," English Literary History, 56, No. 2 (1989), 351-74.
"Wordsworth's 'Michael': The Poetry of Property," Essays in Literature, 15, No. 1 (1988), 13-25.
"'Michael,' 'Christabel,' and the Poetry of Possession," Criticism, 30, No. 2 (1988), 205-24.