Reaching Others University at Buffalo - The State University of New York
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Barbara Bono

Associate Professor Barbara Bono

Associate Professor
Office: 545 Clemens Hall
Phone number: (716) 645-0713
E-mail address: bbono@buffalo.edu

Interests

Early Modern British literature, especially Sidney, Spenser, and the dramatic literature of Shakespeare and his contemporaries; feminist and cultural materialist theory and history

Current Courses

Spring 2015

Eng 310 - Shakespeare: Late Plays

Lectures are MW from 9:00 - 9:50, register by enrolling in one of the following recitation sections on Friday--either:

Section B1    9:00 - 9:50   Reg. No.  18309

Section B2    9:00 - 9:50   Reg. No.  21475

Section B3  10:00 - 10:50 Reg. No.  21476

Section B4  11:00 - 11:50 Reg. No.  21477

Fall 2014

Shakespeare: Early Plays
Lectures are MW from 9:00 - 9:50

Students must register for the course by enrolling in one of the following recitation sections on Friday--either:

Section 1     9:00 - 9:50 Reg. No.  21069

Section 2     9:00 - 9:50 Reg. No.  18150

Section 3  10:00 - 10:50 Reg. No.  18023

Section 4  11:00 - 11:50 Reg. No.  17477

Works in Progress

  • The Gynecology of the Text: The Revisions of Sidneys Arcadia and some of Their Progeny
  • A book-length study comparing the socio-symbolic conditions of production of Shakespearean drama, c. 1580-1620.

Selected Publications

  • Literary Transvaluation: From Vergilian Epic to Shakespearean Tragicomedy.Berkeley and Los Angeles, University of California Press, 1984; reprint, chapter on "The Dido Episode," ed. Harold Bloom, New York and Philadelphia, Chelsea House (1987) 189-212.
  • "Mixed Gender, Mixed Genre in Shakespeare’s As You Like It," Harvard English Studies, 14 (1986) 189-212; reprinted in Rosalind, ed. Harold Bloom, New York and Philadelphia, Chelsea House (1992) 151-66 and Gale Research Press (1998).
  • "Dido," The Spenser Encyclopedia, ed. A.C. Hamilton, et. al. Toronto and Buffalo, University of Toronto Press and London: Routledge (1990), 218-19.
  • "The Chiefe Knot of All the Discourse: The Maternal Subtext Tying Sidney’s’s Arcadia to Shakespeare’s King Lear," Gloriana’s Face: Women, Public and Private, in the English Renaissance, ed. Susan Cerasano and Marion Wynne-Davies, London, Havester-Wheatsheaf Press (1992) 105-28.
  • "The Birth of Tragedy: Tragic Action in Julius Caesar," English Literary Renaissance 24 (1994) 449-70.